Sunday, January 31, 2010

KISS THE DIRT (FALLING DOWN THE MOUNTAIN)

I've been jamming on this INXS song for awhile ...
... and the music video reminded me of my favorite scene in the 
Bret Easton Ellis-penned film adaptation of The Informers.
Good stuff (and NSFW):


[Ed. note: They actually cut out the NSFW shots (of a semi-naked Amanda Heard). Bummer.]


Just for fun, here's the movie's awesome opening sequence:

Highly-recommended viewing (and reading)!

OUTTAKES


My Bobby Trendy moment ...

I've been trying to use my boyfriend's Canon Rebel more often, and these photos are a few "outtakes" if you will of our adventures in amateur photography:
Above: sunglasses: Dior Homme, dress shirt: Hussein Chalayan, vintage monkey fur jacket





blazer: Marc by Marc Jacobs, tee shirt: T by Alexander Wang, tank: Elizabeth and James


Hope everyone is having a fabulous weekend!
XO

Thursday, January 28, 2010

THE 'END' OF HAUTE COUTURE






CHANEL Couture Spring 2010


With only a handful of fashion houses currently showing couture in Paris this year, the ongoing debate on the future of haute couture (once the epitome of expression for designers and hotly-anticipated cultural event for fashion media) and its relevance in a mass-marketed, high-tech global fashion industry raises some interesting questions. I found this article on the issue to be thought-provoking, albeit rather perfunctory. What I did take from the piece (taken from Benjamin Kanarek Blog) was the name Alexis Mabille, a couturier who is relatively new to the scene but is intent on keeping the tradition of couture alive with some rather stunning creations (of which I was previously unaware).


Alexis Mabille Couture Spring 2010


Check out these lovely bow-ties/hair accessories by A. Mabille, available to order from Couturelab.com:






MARGIELA COLLECTING FRENZY



The New York Times is featuring an article about Martin Margiela's recent departure from his legendary design house after 20 years of groundbreaking work in the fashion industry. The famously reclusive designer left Maison Martin Margiela without notifying the press, leaving fashion critics puzzled in recent seasons given the sudden change in the house's notoriously consistent design aesthetic and quality of production. Interesting stuff, since no one is aware of just how long MMM has been without it's creator nor do we know who (or whom) has taken up the helm in his absence. Oh yeah, and the NYT indicates a "collecting frenzy" of pre-abdication Margiela amongst fashion fans. Needless to say, Margiela remains and presumably will continue to remain a relevant force in the fashion world.

Wednesday, January 27, 2010

DAILY AFFIRMATION



RM favorite Rad Hourani has opened an eshop (finally)!

SPEAKING OF STEAMY ...(NSFW?)

YVES SAINT LAURENT F/W 2010-11



Yves Saint Laurent designer Stefano Pilati screened this steamy NSFW short film directed by Bruce Weber before his latest menswear presentation (runway show after the clip):






DIOR HOMME F/W 10-11: VIDEO


Monday, January 25, 2010

F/W 2010-11: PARIS PART DEUX

DIOR HOMME







Kris Van Assche's latest collection for Dior Homme is kind of, er, boring? As a rabid DH fan, I honestly haven't felt the same about the fashion house since Hedi Slimane's departure from the label in 2007. What I do appreciate in this (and most every DH) collection is the very sharp tailoring and classic color pallette (black, gray, white, bone, pewter). I am quite smitten with the oversized overcoat in the photo above, as well as with the beautiful matte gray finish on the leathers:




LANVIN





Lanvin's urban safari story took my breath away! Everything about this collection is smart, elegant and quite original. Alber Elbaz and Lucas Ossendrijver definitely upped the ante for menswear this season, offering a dramatic mix of cultural references and just the right amount of flash:


This one is straight-up 70's-era Bowie; it's also a nod to the current shrunken sweater trend also seen on Prada's runway.




.
Loving the metallics, the sci-fi camouflage, the spiky bungee-cord bags, even the color-coordinated headbands! A+

ANN DEMEULEMEESTER






Always a personal favorite, Ann Demeulemeester has a formula and she's sticking to it: 80's goth-rock garb for rich kids. She didn't disappoint with this collection; I love the "mixing business with leather" vibe, the "precious" boy who quietly slips out on school nights in search of a little bloody fun. The construction of each look is fantastic (especially in the trousers, from the high-gloss cargo pant to the white and khaki jodhpur-style skinnies), and the knits and accessories are to die for ...




literally.

DAILY AFFIRMATION




CHROMATICS: NIGHT DRIVE
(2007, ITALIANS DO IT BETTER)


This album pretty much destroyed me ... and it sounds better every time I listen to it.
you can buy it here.

Chromatics - Night Drive


THE BEST AND WORST ...



... of January Fashion Magazines according to The Cut. Bet you can't guess which category Terry Richardson's hunky V Man spread falls into!

Sunday, January 24, 2010

THE ROW DOT COM



I meant to post something about The Row + Linda Farrow eyewear collection awhile ago, but now you can shop the Olsens' line of luxe sunnies at their newly-launched website therow.com. You're welcome:)

TIME OUT




Yes, the shows continue in Paris ... I'll have a roundup posted soon. Until then, read this:

Debunking Myths About Fashion Week

Saturday, January 23, 2010

F/W 2010-11: PARIS



GIVENCHY







I don't need to express my feelings for Riccardo Tisci's designs for Givenchy; the man is genius. I love how this collection was both totally refined yet sincerely subversive (crown-of-thorns necklace, men in tights AND skirts). I especially appreciate the tailoring; each look highlights a play on volume that doesn't yield any clownish results. This might be my favorite collection of the season.



Not too sure how I feel about the tights; they might look great on the runway but a bit much in real life (guess we'll never know unless we try?). The patent leather sandals, however, are fantastic. I'm still lusting after the gladiators from S/S 10.

KRIS VAN ASSCHE







Dior Homme designer Kris Van Assche went for a kind of goth/grunge vibe for his eponymous menswear collection. Dior hasn't exactly captured the public's attention as it did under Hedi Slimane's watch, and his successor Van Assche has received mixed reviews for much of his career at CD. He had some very large (and skinny) shoes to fill, and with all things considered, he's never sent a shoddy piece of work down a runway. I really enjoy the dynamic between the slouchy/skinny trousers, all worn with a very safe and well-executed combat boot. The beanies feel a little odd, but when paired with a very fragile-looking sheer knit or an understated plaid shirt they're quite tolerable.

LOUIS VUITTON







Louis Vuitton, like Burberry, is really known for doing one thing exceptionally well: leather (at Burberry, it's obviously the trench). I'm never impressed with LV apparel, but I can honestly say that I like their attention to texture and color this season. OK, let's cut to the chase. It's basically bag porn with some very pricey clothing on the side. And there were BAGS:




I could just eat these for breakfast!

VIKTOR & ROLF







Viktor & Rolf are best-known for their shared sense of humor. Their clothes are usually the punch-line to a joke, but these looks were refreshingly un-fussy. Yeah, they missed the whole John Hughes-Pretty in Pink thing the first go round, but this collection seems so wearable and fun (again, "wearable" is not a term usually associated with V&R) in an era where menswear has become such a highly lucrative industry and, as a result, designers are trying so hard at making statement collections when, at the end of the day, all we really want are some rad threads that no one else can get their hands on.

DRIES VAN NOTEN






Dries Van Noten is a master, his name synonymous with the highest standard of craftsmanship. I'm a huge fan, and his F/W collection was everything one would come to expect from M. Van Noten and more. The color palette, accessories, and styling are perfection.




RICK OWENS






Ah, Rick Owens. You scare me a little bit. But that's a good thing. Owens brought his unique design sensibility to Paris for what is surely going to be fodder for fashion critics in the weeks (months, years) to come. Some pieces, like the wolf-man coat above, might be frightening at first but on closer inspection really beautiful. I think his work is challenging, and the fact that he has struck a cord with the public can only mean that he is worth all the hype.




I love how his men's collection eerily echoes his S/S womenswear presentation; the origami-style jacket is sublime and his take on winter "gloves" is quite strange. But that's why we love 'em.